Friday, 27 November 2015

call for entry: 2016 International Orton Cone Box Show

Application deadline extended!!! JANUARY 1st, 2016
Entry Fee: $40 for up to 2 entries
Location: Missouri, Kansas City
Show Date: March 4 - March 31
Open to: Each piece must fit into an old Orton Cone Box (3"x3"x6"). Work completed within the last 3 years and for sale. The show will be open during NCECA in Kansas City.

Our Jurors will be Garth Clark, Greg Daly & Inge Balch.  Accepted artists will be posted online by the end of January, and the show will open at the Hilliard Gallery in Kansas City in March.

Contact details:
Hilliard Gallery
1820 McGee St.
dgbalch@gmail.com
www.coneboxshow.com
Phone: 785-594-4537

CALL FOR ENTRIES: Mountain Standard Clay

DEADLINE FEBRUARY 09, 2016

Exhibition Dates: April 16 – June 12, 2016. 

Building on the success of over 30 previous clay exhibitions, FAC is pleased to announce the official call to artists for our 2016 Mountain Standard Clay. This exhibition replaces Foothills Art Center’s longstanding biennial exhibition, Colorado Clay. Included in this exhibition will be artists all who hail from the Mountain Standard Time Zone states. FAC’s goal is to showcase clay in a way that goes well beyond functional objects and into the realm of fine art with this exhibition. FAC has invited several highly accomplished artists who are truly doing exciting and new things with clay to participate in the exhibition. The invited artists confirmed so far include Claire McArdle (CO) and Samuel Chung (MT). The remaining objects will be selected by juror, Peter Held. Artists may enter up to 3 objects, each to be judged for inclusion in the exhibition. 

Foothills Art Center, 809 15th St., Golden, Colorado, 80401, United States 

Summer 2016 c.r.e.t.a rome: International Artist Residencies in Rome, Italy


Immerse yourself in the centuries of art & culture of Rome at c.r.e.t.a. rome!!

The non-profit organization  ‘c.r.e.t.a. rome’ is offering an international self-funded residency program in Rome, Italy. The Italian word for clay seemed perfect to express our commitment to creating an international reference point for ceramics and the arts in the eternal city of Rome. Moreover, taken as an acronym, it spells out our main activities: ceramics, residencies, exhibitions, teaching and the arts.  We are located in the mid 16th-century Palazzo Delfini in the historical center of Rome, just blocks from the Capitoline Hill on one side and the Pantheon on the other.
We offer artist residencies for ceramic artists, visual artists and writers for periods of 5 or 10 weeks. For Summer 2016, the residency periods are:

  • 27 May- 30 June       
  • 2 July-31 July


The residency fee covers a semi-private equipped studio, shared housing (private room) in the historical center of Rome, and technical assistance in procuring materials, firings, etc., advice on museums, galleries and sites in Rome and beyond.

Artists have the opportunity to focus on their art, whether it be creating a new body of work, expanding a well-established oeuvre or allowing themselves to draw inspiration from their surroundings and the centuries of culture that define the eternal city.

In addition, they will have access to the wealth of galleries and exhibitions in Rome and beyond. Artists are encouraged to submit a proposal for a final exhibition to display the work created during the residency period.

We also offer a residency in the countryside near Bracciano, with private accommodation in a 1-bedroom house with a garden and a private studio. This option is particularly attractive for collaborative projects and/or ceramic artists who work with reduction firing as well as non-ceramic artists who prefer a private studio.

A selection committee composed of artists, art critics and historians carefully evaluates applicants based on their artistic experience, merit and project proposal. For more info and costs, contact Lori-Ann Touchette, cretarome@gmail.com or see our web-site: www.cretarome.com.

 

 APPLICATION INFORMATION

To apply: please submit the following by e-mail to cretarome@gmail.com:
  • application form https://cretarome.wufoo.com/forms/m18h6lh10iwgpi5/
  • curriculum vitae   
  • artist statement (250 words max)
  • project proposal (500 words max)
  • preferred residency period
  • 10 images (jpeg or pdf), image list with year, materials & dimensions
  • 4 short writing samples (writers and poets)

job posting: Assitant/Associate Professor in Ceramics @ ACAD

The School of Craft + Emerging Media at ACAD invites applications for the position of Assistant/Associate Professor in Ceramics.  The successful candidate will be capable of teaching all forms of Ceramic practice through core courses and studio supervision, including vessel, sculptural, figurative, installation and performance.  The candidate will possess an active studio practice that will contribute to the breadth of the program and demonstrate a critical and creative engagement with contemporary discourse on Craft and Ceramics.  In combination with a collaborative spirit and professional commitment to the field, experience in academic service, curricular innovation and Ceramics’ studio management will be considered an asset.

Responsibilities include:

  • Teach in all levels of the BFA and MFA in Craft Media program; studio and lecture/seminar courses
  • Contribute actively to curriculum development in the School of Craft + Emerging Media and the strategic initiatives of ACAD’s Research and Academic Affairs
  • Maintain research/studio practice and contribute to research and scholarship in the field of contemporary craft, specifically ceramics
  • Demonstrate a commitment to continuing pedagogical and academic excellence
  • Provide service to the Faculty and College governance framework, including outreach activities that contribute to the academic life and profile of the College
The successful candidate will have:
  • An MFA
  • A minimum of three (3) years post-secondary teaching experience at the graduate and undergraduate levels in studio, lecture, and seminar class formats
  • A minimum of three (3) years of research/studio practice outside of post-secondary education
  • Sound knowledge of ceramic technologies including wheel throwing, hand-building, mold-making and casting, clay and glaze technology, and kiln firing
  • Experience with object design and digital fabrication technologies
  • Experience teaching and working in interdisciplinary and/or trans-disciplinary contexts
  • A comprehensive knowledge of Ceramics history, contemporary theory and discourse in ceramics practices
  • A broad knowledge of history, theory and practice as it applies to Craft, Art and Design
  • Excellent communication, interpersonal, time-management, and organizational skills
  • The ability to facilitate collaboration in studio production or research
  • Excellent communication, interpersonal and time management/organizational skills
  • A community-minded and team oriented attitude

How to Apply

>>>Please submit applications by clicking on the Apply Now tab at the bottom of this page. The application must include a current cover letter, a current CV, and the following:
  • Evidence of research, professional practice, creative activities, publications and /or exhibitions, including a digital portfolio of recent studio work containing twenty (20) images accompanied by a corresponding numbered list including titles, medium and size
  • A statement outlining philosophies and practices regarding teaching and studio practice
  • Names and contact information for three (3) professional referees
Applications must be submitted in a single PDF document.
Review of applications will begin on January 15th, 2016 and will continue until the position is filled or the search is closed.
The preferred method to submit your application is the “Upload Resume” option.  When uploading your file, combine all required material into a single PDF document. Include all required support material in your PDF document – incomplete submissions may not be considered.  Please visit ACAD’s How to Apply page to ensure your application is complete prior to submission.
Further information about the College is available on our website at www.acad.ca.
ACAD is an equal opportunity employer and is strongly committed to fostering diversity within our community. We welcome those who would contribute to the further diversification of the College. We encourage expressions of interest from all qualified applicants for consideration for this or other suitable vacancies although applications from Canadian citizens and permanent residents will be given priority.
The collection of personal information is for the purpose of determining eligibility and suitability for employment as authorized by the Freedom of Information and Protection of Privacy (FOIP) Act, section 33(c). If you have any questions about the collection of your information, please contact Human Resources at hr@acad.ca or (403)284-7683.
While we thank all candidates for their interest, only applicants selected for an interview will be contacted.

https://can747t.dayforcehcm.com/CandidatePortal/en-US/acad/Posting/View/11 

Thursday, 26 November 2015

At the Edge of Time by Crystal Morey @ Antler Gallery



Antler Gallery is excited to bring you a new series of works by Crystal Morey. Crystal first showed with our gallery in 2014 when her ceramic sculptures of human figures within animals received an overwhelming response. Since then she has graduated to making her pieces in porcelain and expanded her concept.

There will be an opening reception on November 27th, as one of three shows commencing on the same night, from 6pm-9pm and Crystal will be in attendance.

Here is the artist’s interpretation of her newest works:
Humankind has become the driving influence and force behind natural evolution. We are able to alter life from a single cell all the way up to entire ecosystems. Intentionally or unintentionally, we are rapidly affecting changes to the environment that would have taken natural processes millennia. Through these actions we are leaving many vulnerable species and habitats frantic, facing disruptions and uncertain outcomes. In my work I investigate these actions while also creating an evocative and mysterious narrative that shows our interdependence with the land and animals around us.
As a species, we sit “At the Edge of Time”, faced with monumental questions leading to difficult, uncertain answers. My figures exist on this frontier, absorbed in their own feelings of stress, anxiety and ambivalence. Sculpted from the silken white earth of porcelain, I see these delicate figures as containing power – as modern talismans and precious telling objects. They are here to remind us of our current trajectory and potential for destruction and downfall. 


www.antlerpdx.com

Wednesday, 25 November 2015

movie day: CaCo

CaCo from dinis&gustavo on Vimeo.

Mother and daughter, Teresa Vaz and Maria Ramalho, are the designers and producers of CaCo, the handmade pottery, based on the traditional knowledge of the Barcelos region artisans.
A film by Dinis Sottomayor and Gustavo Imigrante.
More info at cacostore.com

Thursday, 19 November 2015

30 X 5: Americano Invitational OPENS TOMORROW


Americano is bigger than Demitasse but smaller than mug, with a handle and room for cream and sweetener. Like a Yunomi for informal tea drinking, the Americano is made for daily informal coffee drinking at home and work.

Participating Artists: Posey Bacopoulos, Ben Bates, Karl Borgeson, Robert Briscoe, Billy Cho, Bede Clarke, David Crane, Josh DeWeese, Mark Digeros, Carole Epp, Mike Gesiakowski, Bruce Gholson, Steve Hansen, Samantha Henneke, Autumn Higgins, Meredith Host, Michael Hunt and Naomi Dalglish, Matt Kelleher, Kristen Kieffer, Michael Kline, Justin Lambert, Simon Levin, Brenda Lichman, Lorna Meaden, Matthew Metz, Jeff Oestreich, Shoko Teruyama, Bill Wilkey, Tara Wilson.

Wednesday, 18 November 2015

movie day: Twilight of the Masters

Twilight of the Masters from Rogan Productions on Vimeo.

Rogan Productions presents a short film directed by John Gutierrez.
Twilight of the Masters offers a moving portrait of three of the world's most dedicated craftsmen in the twilight hours of their careers. The film follows these craftsmen as they grapple with their legacies and consider how their craft might be passed onto the next generation.
Twilight of the Masters travels to Minnesota to hear the story of the legendary potter Warren Mackenzie, to Japan to follow the knife & samurai sword master Kazuo Myojin, and finally to Scotland to hear from the longest serving malt-master in the Scottish whisky industry, David Stewart from the Balvenie distillery in Dufftown.

Tuesday, 17 November 2015

technical tuesday: Tips for Making Graceful Refined Handles Without Much Pulling - PAUL DONNELLY



via Ceramic Arts Daily

Save the Date for Objective Clay's Online Exhibition! Live: November 20th @ 12 Noon EST

 

 

Wahooo!  Guest Artists!

We know you will enjoy everyone of our selected guest artists.

It is a pleasure for us to share their work with you!  The Holiday Sale goes live November 20th @ 12 Noon EST!

As our collective of potters continues to work together I am touched by the amount of thought and effort each member gives to the group! It has been a great first few years defining and growing Objective Clay.  We look forward to sharing more with you and each other as we develop our work and our strength as a group.  We hope you enjoy the informative articles on our blog, music play lists, and regular featuring of objective clay potters!  

Sunday, 15 November 2015

residency opportunity: ARCH Contemporary Ceramics


Our goal for this unique residency is to provide the time and space for a serious, driven ceramic installation or experimental artist to develop a site specific piece over the course of 2 months (February and March) using our visiting artist gallery as a private studio culminating in a one month exhibition April 2016. More often than not, installation and site-specific artists are not given the time needed to properly install a piece prior to the opening of an exhibition, thus comprising the craftsmanship and conceptual development of the piece envisioned. The selected artist will have 24/7 access to the studio and all equipment, with completely unrestricted use of our 12'x16' visiting artist's gallery, website representation and show advertising by the gallery. Applications will be juried by RISD Professor David Katz, along with myself and Charlie Barmonde, the owner. The deadline is currently November 20.

Arch Contemporary Ceramics
18 East Rd, Tiverton, RI 02878
 

Friday, 13 November 2015

call for entry: MWSU Clay Guild - Twin Cups – National Ceramic Exhibition

The Missouri Western State University Clay Guild is sponsoring a National Ceramic Exhibition titled Twin Cups. The exhibition is open to all artists 18 years and older residing in the U.S. Submitted artworks may be either functional or sculptural representations of a pair of cups, mugs, or drinking vessels, etc. A $30.00 jury fee entitles each artist to submit a maximum of three entries (each entry consisting of a set of two). Artworks must have been completed within the last two years.  
Juror: Bede Clarke
Bede Clarke has been a Professor of Art at the University of Missouri since 1992. He received his Master of Fine Arts from The University of Iowa (1990) and a BFA from Eckerd College (1982). Bede’s work is found in collections in the U.S. and abroad, such as the: University of Northern Arizona, Ichon World Ceramic Center, Racine Art Museum, Bermuda National Gallery and Martin Museum of Art.

Bede maintains a studio in Columbia, Missouri where he produces his ceramic artwork and continues to exhibit worldwide, recently at the Museum of Contemporary Art, Jacksonville, FL Yingge Ceramics Museum 2012 Taiwan Ceramics Biennale, Taipei, Ogden Museum of Southern Art, New Orleans, LA.
          
He is a recipient of:
•Kansas City Artist Coalition’s, Lighton International Artist Exchange Award (2007)
• Sturt Australian Contemporary Craft Center Residency Award (2007)
• Fletcher Challenge Ceramic Award, (1996)
• Kennedy Center Fellowship for Teachers of the Arts (1987)


Awards: Awards will be selected at the sole discretion of the juror.
$500 - Best of Show
$200 - 1st Place
$100 - 2nd Place
 
Twin Cups Prospectus: https://www.missouriwestern.edu/orgs/clayguild/TwinCups.html
MWSU Clay Guild website: https://www.missouriwestern.edu/orgs/clayguild/index.html

Calendar:
January 14, 2016 Online Submission Deadline
January 15, 2016 Postmark for 30.00 Jury Fee
January 29, 2016 Acceptance Notification
February 13, 2016 Shipped Artwork Due to Gallery (artwork may be hand-delivered between 10am-4pm)
February 21, 2016 Installation of Exhibition
February 26, 2016 Exhibition Opens – Reception: 6pm-8pm
March 25, 2016 Exhibition Closes
March 29, 2016 Return of Shipped Artwork Begins and Pick-Up of Hand-Delivered Artwork between 10am-4pm 

job posting: Assistant Professor Ceramics and Sculpture – Eastern Oregon University

Eastern Oregon University seeks a uniquely qualified, creative individual to teach a broad range of courses in ceramics and sculpture. The ideal candidate will demonstrate the ability to teach introductory, intermediate, and advanced sculpture and ceramics courses, as well as mentor majors within the capstone sequence. The Art Department at Eastern Oregon University is a small, interdisciplinary and close-knit program housed within the College of Arts and Sciences. In addition to teaching responsibilities, the successful candidate will maintain an active studio practice, oversee the 3-D studios, participate in departmental activities, committee service to the institution, and academic advising. This is a full-time tenure track appointment at the rank of Assistant Professor. This position will begin fall of 2016.

Find the official posting here: https://eou.peopleadmin.com/postings/905
Find information about the EOU Ceramics program here: https://www.eou.edu/art/studio-emphasis/ceramics/

Tuesday, 10 November 2015

movie day: Harlan House RCA - Canadian potter at the throwing wheel.


Harlan House RCA - Canadian potter at the throwing wheel. from Harlan House on Vimeo.

This is a video of Harlan House throwing a large porcelain platter in his studio in Lonsdale, Ontario, Canada. Harlan House is potter who has been making porcelain for over forty years. Harlan’s works of art can be found in museum and art gallery collections throughout the world. Visit his website at harlanhouse.com for more information.

Monday, 9 November 2015

Joan Bruneau workshop @ ACAD

RSVP to katrina at katrina.chayor@acad.ca 

Schedule: 
Tuesday 9 am to noon Throwing demonstration
Lunch with the fourth years 
Tuesday afternoon  2 pm to 5 pm Group critique with fourth years 
Wednesday morning 9 am to noon: continuation of wheel demonstration
Lunch with third years
2 pm Artist  presentation in Annex C followed by continuation of demo
Thursday 9 am to noon; demonstration on slips and glazing
Lunch with faculty
Thursday 2 – 5 studio visits with the third years
Thursday Evening Pub night



monday morning eye candy: Paul Young



Thursday, 5 November 2015

260 Fingers opens on Nov 13


“Airborne” by Klaus Gutowski @ Peter Walker Fine Art






On the 26 of November 2015, ceramic artist Klaus Gutowski will present his third solo exhibition at Peter Walker Fine Art in Adelaide.
In the past Klaus’s art practice focused strongly on portraiture in clay and the ceramic vessel. In this latest body of work he extends his practice to work with the whole human figure to evoke a heightened sense of encounter, presence and connection.
The exhibition “Airborne” investigates the impacts of human activity on our planet, and the resulting influences on society.
Klaus says, “We have to work out what might be done to ease the problems we have created, and how we can adapt to these changes for the broader human interest. Little is more difficult than learning to think differently. Yet, it is hard to define the principal problems without upsetting longstanding traditions, beliefs, attitudes and the often unspoken assumptions on which we build our lives. This has been the core focus of my practice for the last few years, mainly due to the conflict that arises from my own awareness of the part I play in creating these issues.
With my artwork I hope to be a part of the global movement that is encouraging us to change our ways. It is not about finding blame in others, but rather an empathetic understanding that we are all in this together – we all have our little weaknesses for things that have a negative impact on our world, and we all find it difficult to change.”
The exhibition can be viewed at Peter Walker Fine Art, 101 Walkerville Terrace, Walkerville, South Australia, from November 26th – December 12th, Thursday-Saturday 11:00 to 5:00pm, or by appointment.