Tuesday, 24 May 2016
Monday, 23 May 2016
Saturday, 21 May 2016
Thursday, 19 May 2016
For 2016 edition the “Crawling” effect has been selected:
•I° place – “Ceramic&Colours Award” 2016 winner –
Gift voucher to be spent at Ceramic & Colours, value of 2500 €
•“Franco Santi” Award
Gift voucher to be spent at Ceramic & Colours, value of 1000 €
•nr. 3 Special Mentions
Gift voucher for the participation to one of the courses organized by the Cultural Association Passepartout Faenza
Download the Regulations (pdf)
Download the Application Form (pdf)
Download the Summary Regulations (pdf)
phone: + 39 0546 46936
THEME: The Evocative GardenDEADLINE: Wednesday, JUNE 15, 2016 (11:59pm Mountain time)
The Evocative Garden FULL prospectus(pdf)
If you encounter problems and require technical assistance with submission contact firstname.lastname@example.org
Disjecta Contemporary Art Center
8371 N Interstate Avenue
Portland, OR 97217
March 4- April 1, 2017
JUROR/ CURATOR: Gail M. Brown, curator will select works for the exhibition in coordination with NCECA Exhibitions Director Leigh Taylor Mickelson.
ABOUT THE NEW NCECA ANNUAL
In 2017 NCECA launches a new annual exhibition platform that will replace the Biennial and Invitational, which have been produced in alternating years since 2010. The refreshed NCECA Annual exhibition format is being developed in response to feedback from members. The new model seeks to blend impactful attributes of each of the previous models while also cultivating opportunity for curatorial practice in regard to ceramic art.
NCECA’s aspiration is to evolve the exhibition model in a manner that will enable exceptional work to be represented in a way that celebrates concerns of materiality and conceptual rigor. One outcome that NCECA will remain committed to will be that comparatively under-exposed artists will have an opportunity to present their work with that of established and important emerging creators in the field.
The NCECA Annual will enable the vision of a single curator to frame an organizing concept and to support the exhibition’s foundational ideas through the inclusion of works by up to five invited artists making important contributions to the field. The remainder of the exhibition will be selected through an open submission, blind review and selection process. The single curator model will provide an annually recurring opportunity for a particular point of view on the field to emerge as the result of a unique, informed, and thoughtful vision.
ABOUT THE EVOCATIVE GARDEN
The National Council on Education for the Ceramic Arts is pleased to announce that in 2017, esteemed curator of contemporary craft Gail M. Brown will launch this new series with The Evocative Garden, an international juried and invitational exhibition exploring natural and cultivated worlds. Invited artists include Megan Bogonovich, Jess Riva Cooper, Kim Dickey, Linda Sormin and Dirk Staschke.
A breadth of implied and articulated dramas will be staged as a personally defined natural landscape or more formalized garden scenario. In works of ceramic sculpture, installation, object and vessel format, each participant will offer a new or recent work- some potent objects-as-metaphors, with sub-text and, others as choreographed scenes with figuration or the figure/s implied in a verdant location, in vocabularies from nuanced realism to personal symbolism. Each will be designed to reference an array of issues- nature’s fragility and sustainability, the wild and the tame, life’s appetites and dilemmas, conflict and resolution, the everlasting and the temporal- social and historic events, of the natural world and the human condition. Artists remind us that nature and the articulated garden, as context, stimulation and tactile allure, is a seductive, universal, ever present enticement.
~Gail M. Brown, Curator
Portland identifies itself as The City of Roses. It abounds with lush public and private gardens and the climate to nurture them. For The Evocative Garden, the curator seeks submissions that visually define a garden allusion, as subject, context or setting, according to their own narrative and ceramic vocabulary.
Wednesday, 18 May 2016
Monday, 16 May 2016
Monday, August 8 – Friday, August 12, 2016
$700(CAD) + 5% GST
Registration Deadline: July 8, 2016
Enrollment limited to 12 participants
Instructor: Clint Neufeld
Clint Neufeld will guide you through all aspects of mold making and slip casting in this 5-day workshop. Participants will have the unique opportunity to join Clint in creating a multi-piece mold of a piece of machinery from Medalta’s boneyard.
- 24 hour Medalta studio access
- Full access to the entire Historic Clay District site
- All support materials
- Accommodations: Units are reserved at Medicine Hat College Student Housing; call 403.529.3820 to book.
A full refund (less a $25 admin fee) is available if you cancel by the registration deadline. If Medalta cancels, or if you need to cancel due to medical reasons, you will receive a full refund. If you need to cancel after the registration deadline, you will be refunded 50% of the course fee. For cancellations less than two weeks from the start date of the course, we will be unable to issue any refund.
Monday, 9 May 2016
Saturday, 30 April 2016
Thursday, 28 April 2016
Tuesday, 26 April 2016
Check out my other pottery videos at www.youtube.com/user/EvolutionStoneware. Click 'subscribe' if you want to know when I post new videos. I'm sorry I can't easily respond to comments left on youtube. I try! You can also direct questions to my Facebook page Evolution Stoneware Pottery or email me through my website www.EvolutionStoneware.com. This is a demo of a ceramic cigar box style guitar (CBG style) that I made out of stoneware clay. The clay guitar body & slide were sculpted, fired to 1945F, engobe coloring was added, and they were fired again to 2232F in 1 of my electric kilns. The guitar body is modeled on one of my organic seed pod type designs. The neck is oak. It's tuned to A, D. This video was made for you by Janis Wilson Hughes, owner of Evolution Stoneware Pottery.
I played this through an outboard piezo preamp box that I built yesterday, into an effects unit, and into my Fender Hot Rod Deluxe tube amp with a power soak unit I built years ago. The tune is an improvisation written by me yesterday.
Check out www.evolutionstoneware.com & www.amazon.com to get my 3 hour "Custom Clay Pottery Tools" commercial video series & my "Making Groovy Mugs" master class video on DVD and Instant Video, and go to Evolution Stoneware Pottery on Facebook for my latest updates.